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Indigenous visual artists find their voice through ‘contemporary version’ of storytelling

blacksonrise by blacksonrise
December 1, 2019
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Indigenous visual artists find their voice through ‘contemporary version’ of storytelling
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December 01, 2019 15:14:43

Josh Muir stands on the left of his hero piece 'Psychosis'.
Photo:

Indigenous artist Josh Muir says his piece Psychosis depicts how he overcame his mental illness through art. (ABC Central Victoria: Natalie Kerr)

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Graphic artist’s Indigenous tales to be projected onto gallery walls

Indigenous visual art is usually associated with dot paintings but a growing number of First Nations artists are breaking away from tradition and finding a modern means of storytelling in the process.

Josh Muir, a Yorta Yorta, Barkindji and Gunditjmara artist, creates his unique, geometric-inspired artworks electronically.

His bold prints also come complete with an augmented reality experience through a mobile device.

While his style was vastly different from traditional Indigenous art, Muir said his creations were simply a modern take on Aboriginal storytelling.

“How I interpret the world is totally up to me and the result is obviously a contemporary version of storytelling.”

Geometric style artwork called 'Trapped' by artist Josh Muir.
Photo:

Muir hopes his work will inspire the next generation of Indigenous artists. (ABC Central Victoria: Natalie Kerr)

Muir grew up in Ballarat and battled a drug addiction in his teens.

After an overdose and a stint in rehab, he found art helped him deal with his anxiety and depression.

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“Catching the train to Melbourne frequently I’d see a lot of street art and I was really inspired by what I’d seen on the side of the train tracks.

Josh Muir's piece titled 'Death' in strong colours orange, red, yellow and blue.
Photo:

Muir’s artwork ‘Death’ is part of his ‘What’s On Your Mind’ exhibition until March 2020. (ABC Central Victoria: Natalie Kerr)

“Family’s always been a big factor in my culture,” he said.

“[I] grew up in a strong family, had a strong sense of culture at a young age and obviously as I grew into my adolescence, I faced challenges in my identity.

“It wasn’t until a bit later on in life I started to embrace my identity a bit more and I wasn’t as confused about how I fitted into the larger scheme of things.”

At 28, Muir is a multi-award winning artist whose work has featured at Melbourne’s White Night festival, on one of Melbourne’s art trams and even on Richmond’s Dreamtime footy jumper.

“I feel like the idea of contemporary Aboriginal art is something that I set the tone for and pave the way for and I’m very proud of my efforts.

“Hopefully some people can take inspiration from it.”

Josh Muir's 'Connection' fills an art gallery wall with a purple and white geometric pattern.
Photo:

First Nations curator Shonae Hobson inspired the idea for Muir’s piece Connection to cover the wall with this geometric pattern. (ABC Central Victoria: Natalie Kerr)

‘It is still traditional’

Pink, blue and black geometric artwork covers a curved building.
Photo:

Rennie’s ‘Always was always will be’ geometric artwork stood out on this inner-Sydney building. (Supplied: Reko Rennie)

Shonae Hobson, the First Nations curator at the Bendigo Art Gallery where Muir’s exhibition is on display, said Muir was one of a number of Indigenous artists who were experimenting with more modern styles.

“Josh’s practice is quite unique because he does all of his stuff online on the computer.

“He does these really beautiful graphic rendered digital prints,” she said.

“A lot of our artists are pushing the boundaries of what really is considered Indigenous art.

“Whether that’s working in different materials, you have artists like Reko Rennie and Brook Andrew who use a lot of bold, neon installations to really challenge Western discourses around what Indigenous art is.”

However Ms Hobson said at the core, was the same storytelling tradition.

“It’s still traditional — the stories and the narratives are still there.

“It doesn’t matter what medium they’re working in it’s always going to be inherently traditional and it’s about living cultures today.”

A geometric artwork on the wall of an art gallery which has black and white background with neon-coloured patterns.
Photo:

Brook Andrew says his Wiradjuri heritage inspired the patterns in this neon installation. (Supplied: Museum of Contemporary Art)

Street art inspires female artist

For Jingili and Mudburra artist Nish Cash, what began as graffiti has grown into something much more profound.

“What I did start off doing wasn’t, I would say, a legit art form but now it’s manifested into something that’s quite culturally significant.”

Spray-painted street art of an 80s style cassette player and colours in red, grey and black.
Photo:

Cash’s original spray-painted street art. (Facebook: Nish Cash)

Cash uses spray-painting to tell the stories of her culture, identity and to empower women.

She said it was not surprising to see the Indigenous art scene moving in this direction.

“For what we do, what I’ve been doing, the streets are the way of telling that story.

“In all art movements there’s progression,” she said.

“We have a lot of young people coming up with political messages within their art form.”

Cash said visual art, like sculpture and print clothing, was just one of the many mediums for storytelling.

“There are so many other styles and variations of art forms … this is just one of many.

“I think the hip-hop scene and rapping in itself and dance, this is our new generation’s way of telling the story.”

A piece of spray-paint art in greys and pinks to celebrate International Women's Day 2018.
Photo:

Cash’s piece celebrating International Women’s Day in 2018. (Facebook: Nish Cash)

Topics:

contemporary-art,

arts-and-entertainment,

aboriginal,

indigenous-culture,

indigenous-aboriginal-and-torres-strait-islander,

visual-art,

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